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Cairo\'s Graffiti Revolutionaries Reclaim Wall

By ROBERT MACKEY

As the Cairene journalist and blogger Soraya Morayef reported on Thursday, many Egyptians who took part of the 2011 street protests, and the battles with the military rulers that followed, were outraged this week when the authorities suddenly painted over an elaborate graffiti mural dedicated to the martyrs of the revolution at the edge of Tahrir Square.

But, as a new video report by the Cairo film collective Mosireen shows, what was widely seen as an attempt to whitewash the revolution's hi story backfired, as the graffiti artists returned to the same spot the next day, and started a new mural - including an image captioned: “ERASE IT AGAIN, YOU COWARDLY REGIME.”

A video report on the graffiti battle in Cairo, produced by the film collective Mosireen.

In a post headlined, “Erase the Graffiti as You Want, You Cannot Erase History,” the blogger Zeinobia, included a Flickr slideshow of the mural, to remind readers of what had been lost.

As Zeinobia explained, the mural was “painted right after Mohamed Mahmoud clashes in November 2011 and in February 2012 after the horrible Port Said massacre.”

Sean Rocha, a New York photographer, posted more images of the graffiti artists' extraordinary work on Mohamed Mahmoud, shot earlier this month.

Ms. Morayef, who has written extensively about the revolution's street art, and the mural on Mohamed Mahmoud Stre et, previously, posted a detailed look at the new images on her blog, Suzee in the City, on Thursday. She also observed:

It's as if, step by step, we've been moving towards a clean state, where nothing ever happened. No policemen have been sentenced for the murder of January 25 protesters, and the security chiefs exonerated due to lack of evidence that they ordered the killing of protesters (because videos and photographs and eye witnesses don't count).

In this attempt to re-write history and change facts so that future generations assume the Muslim Brotherhood started the revolution and remained loyal to it, and the army never laid a finger and didn't shoot a single bullet at those bad bad protesters, I assumed the public memory would allow the painting over of the Mohamed Mahmoud mural. With almost two years of political fatigue, indifference and distraction; I can hardly blame them.

But what ensued was surprising: yesterday, artists, activis ts and members of the Ultras as well as 6 April returned to the walls and created new graffiti over the freshly painted walls. What we lost was a beautiful work of art; what w have gained is fresh fury and reignited debate.



British Soldier Gives Birth in Afghanistan

By CHRISTINE HAUSER

First, there was the news that Prince Harry was deployed there. Then, there was an audacious Taliban attack that killed two Marines last weekend. Camp Bastion in southern Afghanistan has been high profile this month for a number of reasons, and now it is once again in the spotlight for an event that has apparently surprised even its main participants.

After months of grueling training and deployment, a British soldier suddenly gave birth at the Camp Bastion military post this week, apparently not even knowing that she was pregnant. The gunner had her baby boy at a hospital at the camp, which houses mostly British forces as a NATO facility in Afghanistan's Helmand Province, British news organizations reported.

According to a Daily Mail report, the woman, who has not been identified, had gone through training that included an 8-mile march and a 5-mile run before being sent to Afghanistan in March. Once in the country, while pregnant, she had helped provide covering fire for troops fighting insurgents, while serving as a Royal Artillery gunner with the 12th Mechanized Brigade, the tabloid said.

But apparently she was not ready for the surprise appearance that came on Tuesday. After complaining of stomach pains, she gave birth to an infant about 34 weeks into the pregnancy. The birth was complicated and traumatic, The Independent reported.

The frontline birth was the first of its kind in the British military, according to officials. On Twitter, it spawned jokes about possible names for the newborn, and incredulous speculation. As Salma Elwardany, an Egyptian journalist, and others wondered, how could she not have known?

< blockquote class="twitter-tweet">

@S_Elwardany it happens all the time, they just think they're getting fat and have gas.

- forsoothsayer (@forsoothsayer) 20 Sep 12

Anna David, a consultant in obstetrics at University College London, told BBC News that undetected or denied pregnancy “not as uncommon as we think.” An 11-year study in Wales, she noted, showed that one in 2,500 pregnancies was concealed.

It is more common in younger women. There might be all sorts of reasons why one might actually not notice one is pregnant or not want to disclose it. One might be worried about a negative reaction from one's family and either not realize one is pregnant or not notice the symptoms that one might have.

Another BBC report quoted a teacher at the Royal College of Midwives, Sue Jacob, as saying every midwife has come across one or two women who did not know they were going to give birth and who then call for help wh en labor starts. “There are menopausal women, teenagers and very affluent, highly-educated women. No one is immune,” she says.

Another Royal College of Midwives expert, Denise Linay, told The Telegraph that the soldier might've guessed that her periods had stopped due to the stress of being in Afghanistan

A video report from The Telegraph in London quoting an expert from the Royal College of Midwives on how a soldier who gave birth in Afghanistan might have been unaware that she was pregnant.

The new mother was of Fijian descent. People took to naming her baby on Twitter.

International Business Times called the infant simply the “Camp Bastion baby.”

The frontline birth caught the imagination of an Irish illustrator, Eamon O'Donoghue, who drew a parallel with Conan, the fictional warrior, also born on a battlefield, created by the writer Robert E. Howard in stories starting in 1932.

The birth came just a few days after the Taliban had attacked the camp, which is home to the largest number of British troops in Afghanistan. Video posted online by The Telegraph, said to have been recorded by the attackers, showed smoke rising over the base on Saturday.

Video of Camp Bastion in Afghanistan, after a Taliban attack on Saturday.

Another focus for jokes was the coincidence that the birth had come shortly after Prince Harry had begun his deployment at the base, just weeks after making headlines with a game of strip billiards with a group of women in a Las Vegas hotel suite.



Jukebox Apps for the Party-Pleasing D.J.

My mission was to supply the music for a friend's big birthday party. Sounds simple enough, right? Set up a playlist on an iPod and throw in a little Motown, because everybody likes Motown. Plug it into the sound system at the bar we had rented out and hit play. Instant revelry.

I decided to complicate matters.

Like any good D.J., I wanted some input on what song would play when. But I also liked the idea of handing over some control to my fellow partygoers, letting them queue up what they wanted to hear. My search for a way to do this led me down some twisted technological pathways.

For years, my standard tool for party soundtracks was the iTunes DJ feature, formerly known as Party Shuffle, available at the top of the list of playlists in iTunes. This lets you select a source playlist and then queues all of those tracks in random order. The advantage over standard shuffle mode is that you can see which songs are next in the queue, rearrange the sequence and take out any that might kill the vibe.

Like iTunes generally, iTunes DJ is functional but not all that fun. It is also not a great group activity, though you can set it up so that guests who have Apple's Remote app on their iPhones or iPod Touches can request songs and vote for their favorites in the queue. (But show me a bunch of people silently submitting song requests on their phones, and I'll show you a lame party.)

The trouble with using iTunes for the soundtrack was that it would involve letting potentially inebriated people gather around my laptop in a crowded bar, a recipe for digital disaster. My aging iPad seemed a little more party-friendly, but the iPad's Music app has no equivalent to the iTunes DJ function. I would have to venture into the depths of the App Store.

Many D.J. apps for the iPad aim to transform you into one of those guys who are paid a pile of money to fly to Ibiza and spin techno tracks until the sun rises over the Mediterranean.

One top seller is Djay ($20), a beautifully designed app that lets you mess with two virtual turntables and a pile of special effects, things like echo, flanger and bit crusher. This made for some good mucking around with headphones on, but it looked as if it would take a few weeks to master, and to really fit the part I would have to hover over the iPad and pump my fist in the air the whole night.

It struck me that if I wanted something that gave party guests a choice of songs, what I really needed was a jukebox. As we all learned from “Happy Days,” jukebox technology revolutionized public music consumption in the 1950s.

If you love that old-timey Wurlitzer look, the App Store has plenty of options for you, though some of them take things awfully literally. Diner Jukebox (in free and $1 versions), for example, wouldn't respond to any of my button-poking until I figured out that I needed to drop in a virtual quarter first.

StereoMatic ($4) has a great look to it, down to the typed red-and-white track labels and simulated wear and tear on the metal coin slot. But again, it felt as if the effort to remain true to the design of a bygone era was getting in the way of making the app easy to figure out and use.

Then I stumbled across Tune Drop ($1), a jukebox app that nobody would ever mistake for a Wurlitzer. Hitting a button at the top pulls up a list of the songs on your iPad. Pick one and it drops down from the top of the screen in the form of a gently bouncing ball, with cover art if available.

The balls land on some simple platforms and roll down as if they were barrels in Donkey Kong. When a song-ball drops into a slot in the corner, it starts playing. Other balls line up behind it, waiting their turn. The fun part is that you can drag the balls around on the screen to change the order or toss them out, turning playlist management into something like a video game.

Tune Drop was a hit when I unleashed it at the birthday party. I passed the iPad around and people could almost instantly figure out what they were supposed to do. There were some awkward moments when an antisocial guest started furiously tossing out everyone else's songs so hers would play next.

The app is so simple and so quirky that it felt as if it must be one person's labor of love - which it is. I got in touch with Tune Drop's creator, Jason Moore, who described himself as a nomadic app developer currently living in Hanover, Germany. He said the app grew out of his frustration with parties where people were always going into iTunes and clicking on the song they wanted to hear and immediately cutting off the song that was playing.

“I just wanted to make something that was completely nontechnical,” Mr. Moore said. The app is so easy to use that Mr. Moore said he had heard from parents whose children liked it. Discovering it made me wonder how many other gems were languishing in obscurity in the App Store.

Remember the part about plugging into the bar's sound system? I decided to complicate that, too. I brought along an Apple AirPort Express that I had configured as a basic AirPlay receiver, meaning it could pick up wireless audio sent by AirPlay-friendly apps like Tune Drop. I plugged the AirPort Express in behind the bar and stuck in the jack that fed the speakers. The iPad was free to roam the room.

More recently I was given D.J. duty for another birthday party, this one on a beach. In the months since the first party, my listening habits had migrated from iTunes to Spotify, the streaming music service. I liked the idea of using Spotify this time because it would save me the trouble of buying songs that would please the guest of honor but that I would never listen to again (sorry, Willie Nelson).

Tune Drop wasn't going to work with music from Spotify, but I decided I could forgo the social aspect this time and stick with a straight playlist. I went with the iPad as a music player again instead of using my phone, which I might need for calls. But the iPad is Wi-Fi only, so for beach purposes I needed to store the music on the device itself rather than stream it.

Spotify's $10-a-month premium version allowed me to download specified playlists so they were available offline. This was easy to do before leaving home, though I discovered that the downloading process would pause when I stopped using the iPad for a few minutes, so there were a couple of stops and starts.

For amplification I took along a Big Jambox ($300), which does a good job of putting big sound into small speakers. The Big Jambox could receive the music wirelessly from the iPad over a Bluetooth connection. It worked without a hitch, and the speaker had plenty of power. I put it on a beach chair, facing out of a big cardboard box, which helped focus the sound a bit amid the expanse of sand.

Yes, a cardboard box. Sometimes it's best not to complicate things.



AT&T Chief Speaks Out on Texting at the Wheel

SAN FRANCISCO - Randall L. Stephenson, the chairman and chief executive of , spoke Wednesday morning at a conference in New York to hundreds of major investors, including Fortune 500 executives. The topic was the state of the telecom businesses, but he began with a request on a different topic: Please don't text and drive.

He's been saying it a lot lately, at investor conferences, the annual shareholder meeting in April, town halls and civic club meetings, and in conversations with chief executives of other major companies.

AT&T is not the first or only carrier to raise awareness on this issue, but the message is starting at the top and it's personal.

Mr. Stephenson said in an interview that a few years ago someone close to him caused an accident while texting. As he has become more vocal about texting and driving, he said people were coming up to him and writing him with their own stories of tragedy, including admissions that they caused accidents.

The smartphone, he says, “is a product we sell and it's being used inappropriately.” For him, that means the company he runs has to get involved in a public awareness campaign. “We have got to drive behavior.”

Safety advocates say for the moment that they are particularly impressed by AT&T's persistent and broad efforts to draw attention to the problem of texting while driving.

They say history shows that public service campaigns have had limited success on issues like drunken driving or seat belt use unless they are paired with strong laws, something Mr. Stephenson opposes.

“AT&T in particular has invested quite a bit in messaging and I'm hopeful it will make consumers aware,” said Bill Windsor, the chief safety officer at Nationwide Insurance. “It certainly can't hurt,” he added, “But law enforcement is the other step that's needed to curb behavior.”

David D. Teater, senior director of the National Safety Council, whose son was killed by a driver talking on her phone, said he was pleased to see telecommunications companies, including AT&T, no longer lobbying against laws aimed at curbing driver distraction caused by electronic devices.

“We'd love their support on the legislative side,” he said of AT&T's position. “But the fact they're not opposing us is good.”

Mr. Stephenson said he would prefer market-driven solutions to legislative ones. He hopes that changing the culture can work. Verizon Wireless supports state and federal legislation to ban texting by drivers and has been credited by safety advocates for raising awareness years ago.

Currently, 39 states ban texting while driving. Research shows that the activity sharply increases the risk of a crash, even beyond the risk posed by someone driving with a .08 blood alcohol level, the legal limit in many states. Yet researchers say that there is no indication drivers are less inclined to text and drive, and there is some indication that the behavior is increasing.

To that end, Mr. Stephenson also appeared on Wednesday at an event in Washington with Julius Genachowski, chairman of the Federal Communications Commission, and Ray LaHood, the secretary, who has called distracted driving an epidemic. They called on people to take a lifelong pledge not to text and drive.

On Sept. 30, AT&T will offer a free, revised version of its DriveMode app for and BlackBerry phones that will automatically disable texting when the phone is traveling more than 25 miles an hour. There is no app, though, for the popular iPhones.

The motivation is to bypass a driver's urge to answer the chime of the incoming text or e-mail. Mr. Stephenson said the technology might eventually block phone calls to drivers. There are several such apps like DriveMode on the market, from Verizon, T-Mobile and Sprint, but they have thus far had limited adoption, said Mr. Windsor, from Nationwide Insurance.

The app is part of a broader campaign called “It Can Wait,” that began in 2010. It has included gripping and graphic videos and commercials, like a recent one with a testimonial from a young man who suffered brain damage in an accident caused by a texting driver. The tagline is, “Last Text.”

The company won't say exactly how many millions it is spending on the campaign.

“I told people that what we're going to do is make people a bit uncomfortable and maybe be a bit impolite,” Mr. Stephenson said.

He added that he had to curb his own behavior, too. “When I went public, I told my wife: ‘You know what this means? I can no longer touch this or BlackBerry in the car.' ” He puts his devices in a cup holder and silences them. “It was a habit I had to break.”