Ian Willms has photographed the effects of oil extraction on First Nations land in Fort McKay and Fort Chipewyan, in northern Alberta, Canada. Mr. Willms, 28, based in Toronto, is a founding member of the Boreal Collective and spent several months over the last three years photographing his project âAs Long as the Sun Shines.â His interview with James Estrin has been edited and condensed.
How did this project start?
When I graduated from school in 2008 I was hearing a lot about the oil sands in Canada. So I started doing research, and the more I learned, the more horrified I became.
I read a CBC article about cancer rates in indigenous communities that immediately surrounded the oil sands, and I knew right then that was exactly what I had to do. I searched pretty thoroughly for anybody who had done a proper photo story on the community, and I couldnât find anything that was particularly in-depth.
What did you find when you got there?
I found a community that was far more developed economically than I had expected. There was a lot of infrastructure, and the homes were more modern than most First Nations communities. That has a lot to do with the proximity to the oil sands and the economic benefit that comes with that.
But the community is still struggling. First Nation reserves are still very dark and damaged places in many ways, and in other ways, theyâre incredibly vibrant. So it was not as bleak as I expected it to be. If you didnât already know that their water was basically coming off of a storm pipe of one of the largest polluting industrial projects in the world, you wouldnât.
A lot of photographers who photograph native peoples in North America just hit and run. How did you go about capturing a fuller view?
Well, the most important thing is time. And itâs always going to be more time than anyoneâs going to be willing to pay you for.
Beyond that, I think itâs a matter of becoming invested in peopleâs lives, because if you donât care, they wonât. And if you fake it, people know. People arenât stupid. If you treat them like theyâre stupid, theyâre never going to trust you. And so I spent a lot of time there, I made a lot of friends.
There are a lot if white journalists that go into indigenous communities in North America with a preconceived notion of what these people are like and what they need. But in truth this attitude is just a continuation of the abuse of those people.
What the first nations really need is the respect and the confidence of the rest of Canada, to tell their own stories and to manage their own communities. They need to be empowered but they donât need others to tell them what to do.
I continually show my subjects the work that I do in these communities and ask if I am getting this right.
Tell me more about the oil sands.
Thereâs an oil reserve thatâs located beneath Canadaâs boreal forest thatâs roughly the size of the state of Florida. Itâs rich with oil, but the process of extracting it is incredibly energy intensive, difficult and expensive.
The process involved first clear-cutting the forest and then creating a strip mine. They dig the sandy oil out. Itâs like hot asphalt. On a hot day, itâs very gooey and very much like tar.
The environmental toll is dramatic. There was a study by an NGO in Toronto, Environmental Defense, that in 2008 found that about 11 million liters of toxins were leaking into the Athabasca River every single day from several toxic-base water lakes in the oil sands region.
Whatâs the effect on the people?
It has brought more money into the communities than there was before. With that said, itâs really a small fraction of what theyâre actually entitled to. These First Nations get really bad deals from the oil companies in order to leave their lands for oil.
A career in the oil sands may sound good to some people, but really it is the death of their culture because itâs taking the new generation to work toward a completely different way of life. And itâs a way of life that embraces the destruction of their land.
Thereâs a lot of grief, especially among the elders in the community, over the younger generation not taking an interest in hunting and fishing and trapping. And thereâs a lot of conflict among the generation in between the youth and the elders â" the generation that are in their late 20s to their 50s; the people who work in the oil sands but grew up hunting, fishing and trapping.
They are very conflicted, because they know what theyâre doing. They know that theyâre taking away their own land. But they do it because thereâs no other option for them to make money. Thereâs no other way for them to feed their families. These communities are no longer able to be self sufficient off the land like they had been for thousands of years.
What is the effect of the oil sands on the environment?
Well, theyâre finding a lot of animals with physical problems. Theyâre finding fish with large, golf-ball-sized tumors. There was actually an industry-funded study a few years ago that found that the moose meat had 453 times the acceptable level of arsenic in it.
These people who have hunted this land for a hundred years can read their environment like a book. They know when somethingâs wrong. They open up an animal, they can see the health of that animal by how it looks. The industry and the government donât really take that knowledge seriously.
Who are the peoples that you photographed?
There are different bands â" the Fort McKay First Nation, and Fort Chipewyan is Mikisew Cree and the Athabasca Chipewyan First Nation. But the people know each other and theyâre fairly close together. Theyâre linked by the Athabasca River, which is probably about a five-hour trip if you have a decent motorboat. In the winter thereâs an ice road that connects them.
Fort Chipewyan is insulated from the oil sands only because theyâre a bit further away. And Fort McKay is literally surrounded by strip mines and tailings ponds.
Fort Chipewyan is dealing with the same process as Fort McKay did 20 years ago. Theyâve seen whatâs happened to McKay, and now industry wants to start developing their territory, and theyâre trying to resist it.
About half the 1,200 or so people in Fort Chipewyan work in the oil sands, and an even higher percentage of Fort McKay works in the oil sands.
What do you do while you are there?
I try to allow life to unfold as I work. Every morning I would get up and just head out with my camera. And itâs a small town, so you can walk everywhere. I would walk around and say hi to people, and theyâd be interested in me because as soon as somebody new shows up, itâs pretty obvious that theyâre not from around there, and they are all kinds of curious.
So we get to talking, and sometimes it would lead to important conversations about the oil sands or theyâd say, âOh, yeah, my mother passed away of cancer last year,â or âMy son has like crazy abscesses on his legs and we donât know what they are,â or âIâm a commercial fisherman and I canât sell my fish anymore because the lakeâs polluted there,â and stuff like this. Or other times they would just be like, âOh, yeah, you know, Iâm going hunting today. It looks pretty good.â And maybe Iâd get to go hunting and photograph the traditional way of preparing ducks or moose.
Was it different from what you expected?
It definitely was. I went up there with all of these pictures of indigenous reserves in Canada in my mind. There are many photojournalists that have gone to document the despair and the squalor and dirt of many First Nations.
The pain and the difficulties faced by those people is very invisible. Itâs definitely there. You canât meet somebody and spend time with them without coming into contact with it. But itâs not right in your face like I expected it to be, which was a tremendous challenge photographically because I had to make pictures of something that was invisible and try to suggest it.
How did you do that?
Well, it may sound flaky, but I just shot from the heart. I tried to really invest myself in the people I met there emotionally â" spend time with them, get to know them and grow to really trust them and care about them deeply â" and then consider their stories and their experiences in my mind as I walked around, and I would make my pictures accordingly.
Itâs not like you have the picture of the oil sands and then the person doing chemotherapy and then the gravestone. Itâs much more subtle than that, and itâs also much more than the oil sands. Itâs a culture. Itâs the loss of their culture thatâs really what that essay came to be about. So I made a lot of pictures of the traditional ways of life, like the moose hunters and the fishermen.
There are very intimate, tight family units trying to make it work in the midst of this industrial onslaught and this constant sort of humming presence of danger in the background. Everybody knows that their water and their land is toxic, but it doesnât look like Chernobyl.
Itâs much tougher to really see it, but they know itâs there, and they also feel very powerless about it. You have to consider it as a photograph. So hereâs the picture of the girl going wading into the lake (Slide 18), or hereâs the mother and daughter with the fresh haul of fish that theyâre going to spend the next week eating even though thereâs a factory thatâs pumping hydrocarbons into that water supply.
How are the Chipewyan fighting this?
It is their land, so they can make the industry jump through a certain number of bureaucratic hoops in order to slow down the process, but in the end it requires a lot of money.
In 1899 there was a land treaty signed for that region, and the condition of the treaty was that the traditional livelihood of the First Nations should never be compromised. Because the indigenous people didnât operate in the conventional European sense of time, the treaty stipulated that the land would be protected for as long as the sun shines and the grass grows and the rivers flow, which is why the essay is called âAs Long as the Sun Shines.â
The treaties are now seen as this very empty promise. So legally, they really do have a right to stand on. But in a real world practice, itâs just not happening.
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